![]() In art, the natural and organic are not necessarily tied to the subject matter but can be found in the process of creation itself. Instead, it can be expressed through the use of different techniques, styles, and ideas. The work of these artists shows that “organic” in art is not limited to a specific form or style. Here, like Dzwonik, Giesse incorporates the organic into his technique but from a different perspective. The technique means that the over layer of paint becomes the organic-like forms used as patterns to create that scaly look that drive the conversation in round forms, being the last application. He has used this approach for a more abstract purpose than its natural context. Giesse applies a design to that organic approach, as if he is meant to shape nature into something that seems man dominated. ![]() ![]() His approach to this goal might be unexpected. He creates a symphony of natural patterns…seeking to create an organic development of forms. Martin Giesse takes a very different approach to the organic in his painting but seeks a similar aesthetic of natural form and color. This technique allows Ula to move away from an apparent brushstroke at times. These layers create a naturally chaotic but controlled aggression with her message. She uses the inherent qualities of differing consistencies of paint to create layers that partially exist to evoke her surreal environment. Dzwonik paints her works highlighting portions of the canvas or panels by painting blemishes and noise accentuating the unbounded nature of her characters.Īnother way in which Dzwonik creates her distressed aesthetic is through her stamping technique. Her forms and ideas tend not to accept the arbitrary boundaries of the shapes as endpoints, as if each work is but a piece of a larger stencil that has the capacity to stretch over the edge of the subject. Ula Dzwonik’s work for instance, seems as Organic and primitive, characterized by “the use of distressed layers” she works towards this goal using multiple color coats forming a loud and broken surrealist image.ĭzwonik’s works often have pasty smudges-like, concentrated with larger blocks of color, creating a distinct vibrant connection to the background. Dzwonik, Giesse and RodriguezĪt ARTSPACE 8, artists, Ula Dzwonik, Martin Giesse and Fidel Rodriguez, particularly we refer to their work as “organic.” They do not aim to obfuscate the human-made aspect of their work but, through their chosen techniques and styles, accentuate their ability to create a more organic effect in their art. Rather, an “organic” production of feels as if art moves away from personal expression and emotion of the artist and towards the beauty in nature and the natural formation of color and form. The more visible the hand and brushstroke of the painter, the less organic a work becomes. However, the use of the term “organic” in art can actually help to define a “non-painterly” approach. ![]() Martin Giesse Exploring the Natural Aesthetic in ArtĪrt is often associated with the human hand, and the word “organic” might seem like a paradox when used to describe it. ![]()
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